I love to sing the song “Lay It Down” by Matt Maher. The refrain and verse are very simple and in
a very comfortable range for anyone. (We play it in D.) However, the Bridge (“O pearl of greatest
price…”) starts out fine but suddenly jumps the octave on the repeat.
In another very popular song by Matt, “Lord, I Need You,” he
jumps the octave halfway through the verse.
Now, in both of these cases he sounds great doing
that…I do not! It’s simply not in my
range. So, if I’m leading the majority of the song, I would ask one of the
women in the group to sing that part, in their range. That would be quite
comfortable for them while really high for me. Here’s an example of that section
of “Lay It Down” from this past weekend.
If I’m the only one singing, or there is no one else to take
that part, I would just continue singing in the lower octave. I’ve done it many times and it really doesn’t
take away from the music or the worship.
I do the same thing with “I Can Only Imagine.” That refrain at the end of the song is too
much for me. I just keep it the same as
the other refrains. It works fine and no one really notices. Trust me, it would
be worse if I ‘went for it.’
So, don’t sing something that’s out of your range simply
because it’s printed that way. Find a
solution that works with another singer, or another range. Or another song!
That
certain ‘something’
Some songs seem to suit certain singers better. In our groups I will ask someone to sing a
song (or a verse in the song) if I think the style of the music will really
match their voice. They might have a
certain ‘something’ that they can bring to that particular piece of music. Yes, range is still a factor in this obviously,
but I’m also talking about the way
they sing it, too. If it will enhance
the music, which will in turn enhance the worship, I think it’s important to
consider.
This is the job as the Music Director. It’s our responsibility to make good musical
decisions. Yes, we want to give as
many people as we can an opportunity to share their talents. Obviously,
we want to be pastoral in our decisions. Of course, it’s about more than
performance.
But it’s still music.
Right? We are, after all,
musicians. It’s what we do. So let’s do it the best we can.
Our assemblies deserve it.
Ed, your post on this was timely. I sat down and talked about this with my music ministry team last Sunday and planned to release a podcast episode on the topic because it seems like many of us are reviewing these pieces with the same question..."How do I lead a congregation through this?". When I saw this post the next day, it confirmed a lot of what I was working through with these songs. I dropped the podcast out to continue on the topic, unpacking the question of where do these songs work, as they are written, and how to arrange them differently for our liturgical needs.
ReplyDeleteYour point of being open to a different solution is spot on. Transpose a song to it's sweet spot for the congregation, or, the tougher decision to move on without the song.
Thanks and Peace to you, Greg